Cold Mountain: Frasiers Archetypal Journey Essay -- essays research pa

The archetype of the journey is seen in Charles Frazier’s novel Cold Mountain, most clearly through experience Inman has wandering back to Cold Mountain. The journey archetype sends the hero in search of some truth to restore order and harmony to the land. The journey often includes the series of trials and tribulations the hero faces along the way. Usually the hero descends into a real or psychological hell and is forced to discover the blackest truths. Once the hero is at his lowest level, he must accept personal responsibility to return to the world of the living. Inman’s trip fits this description very well in some ways and not in others. It could be said that Inman’s search for truth is his desire to be back home. He has been disillusioned by the war. He saw horrible scenes daily and fought for his life. By coming home to Ada and his mundane life is a welcome constant for him in a world he has recently determined to be wild. He believed that once he had rea ched his destination, order in his personal world and soul could begin to return to normal. In accordance with the definitions of the archetype journey, Inman goes through a great deal angst and tribulations. He has practically starved many times, been mugged, and fired upon. This strife is culminated when he his betrayed and shanghaied, marched nearly to death, then shot and left for dead. He is buried with a thin layer of dirt in a mass grave, and spends half a day under ground with the dead. This is his low point, his personal hell. At this point he even considers not uncovering himself and allowing the easy death to occur. For such a logical and even headed man this is particularly extreme thought. But he eventually finds the will power to hoist himself out of the grave to once again take up road. Finally he gets to the house and restores order to his metaphysical kingdom, coming to terms with many of his thoughts. Ada goes through a more mental archetypal journey. She has to fi nd manageable independence, an aspect development of which she had always been deprived. Her low point was at the beginning of the book when she realized that she no longer had the money that once had enabled a work-free life style. At the beginning, she has no idea what to do or what she even wants. Once Ruby comes, she begins to come to important self-realization about the pettiness of her past life and how she is no lon... ... the greatest foils to each other. When one reads of Ruby’s extreme incredible work ethic and practicality in every matter, even towards bird-watching (she uses migratory patterns to plant seasonally), one understands that she has lived in harsh conditions and foolishness was not an option. Once contrasted with her father and his physically unproductive lifestyle, one may come to view her as a calculating robot. On the other hand, Stobrod may look as though he has a far worse work ethic than he actually does wen contrasted against his daughter. Similarly, this was the dynamic of Ada’s relationship to Ruby when Ruby was first introduced. Inman, the rational, moral, and selfless farmer boy and Veasy, the lecherous, self-centered preacher serve as foil to one another. When the pair is together Inman seems so strait laced and moral, thinking every aspect out well in advance, then taking the most sensible route. Veasy on the other hand is made to look even more of a lech erous buffoon, when he, who has just had relations with Laura Foster, solicits the massive Tildy for sex in the tavern while Inman, the lonely former-soldier who has not been with woman for a long time remains celibate.